Required texts:
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Much suspected by me, Nothing proved can be, Quoth Elizabeth prisoner. —Queen Elizabeth, Written with a Diamond on Her Window at Woodstock |
Elizabeth a prisoner, Elizabeth in procession. Radical shifts of fortune are a frequent concern of the works that we’ll be reading. So too was suspicion and doubt (“much suspected . . .nothing proved”) matched by the yearning for certainty and stability—for something as bright and long-lasting as the diamond with which Elizabeth writes. The literature of the sixteenth century participates in this tension between suspicion and certainty. To write, even with a diamond, is to create a world of supposition and suspicion. And though the works we’ll read have lasted like diamonds, they were composed, like Elizabeth’s prison poem, not outside the tumult of sixteenth-century life, but as part of it.
Course requirements: |
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Schedule of Readings and Events (Subject to change–I will give warning, however.) |
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Dates | Readings | Events | ||||||||||||||||
Aug. 25 | Course Introduction |
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Aug. 27 | Ralegh, “Nature that washed her hands” (BA, 1119-1120) | Historical Introduction | ||||||||||||||||
Sept. 1 | No Class | Labor Day | ||||||||||||||||
HENRICIAN BEGINNINGS | ||||||||||||||||||
Sept. 3 | Skelton, “The Tunning of Elynour Rummyng” (BA, 1-9) | |||||||||||||||||
Sept 4 – Oct. 19 |
See Symbols of Honor: Heraldry and Family History in Shakespeare’s England at the Folger Shakespeare Library | |||||||||||||||||
Sept. 8 | More, Utopia , prefatory letter and book 1 (BA, 11-35) WH, 3-30 |
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Sept. 10 | More, Utopia, book 2, (BA, 35-58 only) WH, 31-40 | |||||||||||||||||
Sept. 15 | More, Utopia, book 2, (BA, 58-end) WH, 41-82 |
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Sept. 17 | William Roper, from Life of More (BA, p. 91 line 270 – p. 95) Wyatt, “Of the Courtier’s Life Written to John Poins” (BA, 197-199) WH, 82-146 |
Paper 1 assigned (3pp) | ||||||||||||||||
Sept. 22 | Tottel, Songs and Sonnets, (BA, 189-97) WH, 149-82 |
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Sept. 24 | Tottel, Songs and Sonnets, (BA, 199-202) Wyatt, (BA, 203-204) WH, 183-205 |
Paper 1 exchange | ||||||||||||||||
POETRY IN THEORY (1) | ||||||||||||||||||
Sept. 29 | Gascoigne, “Certain Notes” (RLC, 237-47) Puttenham, Arte (RLC, 109-123), Daniel, Defence of Rhyme (RLC, 207-233) WH, 205-250 |
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SONNETMANIA! | ||||||||||||||||||
Oct. 1 | Sidney, Astrophil and Stella, (BA, 676-686; but omit the three songs on 682-685) Spenser, Amoretti (BA, 803-809) WH, 251-261 |
Paper 1 due Sonnet project assigned |
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Oct. 6 | Shakespeare, Shakespeare’s Sonnets (BA, 1079-1089) Daniel, Delia (BA, 945-947) Barnfield, Cynthia (BA, 772-776) WH, 265-311 |
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Oct. 8 | Midterm | |||||||||||||||||
REMINDER: Symbols of Honor: Heraldry and Family History in Shakespeare’s England at the Folger Shakespeare Library by Oct. 19 | ||||||||||||||||||
Oct. 14 | No new sonnet reading; we’ll continue with Oct. 6 or earlier reading Do read WH, 312-360 |
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Oct. 15 | Drayton, Idea’s Mirror (BA, 1093-94); Davies, Gulling Sonnets (BA, 1144-1146) WH, 360-389 |
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Oct. 19 | Visit to Symbols of Honor: Heraldry and Family History in Shakespeare’s England at the Folger Shakespeare due | |||||||||||||||||
POETRY IN THEORY (2) | ||||||||||||||||||
Oct. 20 | Gosson School of Abuse (BA, 446-452) and Sidney, Defence of Poesy (RLC, 3-25, 33-38) WH, 389-422 |
Sonnet Project Due Annotation project assigned |
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GOOD ELIZABETHANS | ||||||||||||||||||
Oct. 22 | Spenser, Faerie Queene: “Letter to Walter Raleigh,” proem and canto 1 (BA, 818-832) Davies, Hymns of Astrea #s2, 20, 26 (BA, 1151-1153) Elizabeth I, “To the Troops at Tilbury” (BA, 402-403) WH, 422-448 |
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Oct. 27 | Faerie Queene cantos 2 – 3 (BA, 832-847) Knox, First Blast of the Trumpet (BA, 205-209) WH, 449-476 |
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Oct. 29 | Faerie Queene cantos 4 – 6 (BA, 847 -864) From Ascham, The Schoolmaster (BA, 336- 337, lines 296-414 only) WH, 476-489 |
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Nov. 3 | No Class–credit for Folger exhibit However, do most of the reading for Nov. 5 by this date. |
Annotation project due Careers project assigned | ||||||||||||||||
Nov. 5 | Faerie Queene cantos 7 – 10 (BA, 864-910) Lok, “A Meditation of a Penitent Sinner, #s 1-4, 7-8, 12, 20-21 (BA, 215-219) WH, 493-537 |
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Nov. 10 | Faerie Queene cantos 11 – 12 (BA, 910-926) Deloney, “The Queene’s Visiting of the Camp at Tillbury” (BA, 1239-1241) WH, 538-551 |
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BAD ELIZABETHANS | ||||||||||||||||||
Nov. 12 | Marlowe, Hero and Leander (BA, 1213-1220, lines 1 – 484) WH, 551-560 |
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Nov. 17 | Marlowe, Hero and Leander (BA, 1220-1225, lines 485-end) WH, 560-575 |
Careers project due Paper 2 assigned (3pp) |
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Nov. 19 | Finish discussion of Hero and Leander Shakespeare, Venus and Adonis (BA, 1059-1067, lines 1-468) WH, 575-594 |
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Nov. 24 | Shakespeare, Venus and Adonis (BA, 1067-1072, lines 469-810) | Paper 2 exchanged | ||||||||||||||||
Nov. 26 | No Class | Thanksgiving Break | ||||||||||||||||
Dec. 1 | Shakespeare, Venus and Adonis (BA, 1072-1079, lines 811-end) WH, 595-604 |
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Dec. 3 | Wrap up | Paper 2 due | ||||||||||||||||
Course Policies: Readings: Readings for each class are due on the date listed above. Approach each assignment actively by always reading with a pen or pencil in hand. This habit will help you come prepared to discuss the readings in class and get the most out of class discussion; it will also help you become a more skillful reader of literary texts in general.Participation and Attendance: The class will frequently be conducted as a seminar. We will open up the class to discussion, to questions or observations about the ideas presented in a text, about a text’s form or style, its uses of language, its puzzling qualities. I am interested in your ideas. Contribution to class discussion will not be formally calculated into grades, but I will take participation into account for grades that are borderline. If you aren’t in class, you can’t participate in discussion, nor will active class participation wholly excuse excessive absences. Quizzes: Essays: Projects: Paper Standards: Late Papers: Paper Help: Plagiarism: Also note that uncited sources will constitute plagiarism even if they ended up in your work without your conscious knowledge (e.g. you forgot you read the material; you confused your own notes with notes on a source), since part of the scholarly responsibility that comes with using secondary sources is keeping track of which words or ideas were yours and which came from a source. If you do not wish to take on this responsibility then you should not consult secondary sources. I will take all suspected cases of plagiarism to the Honor Committee. Midterm and Final: If you do not consistently do the reading and come to class, you will have a hard time doing well on the midterm or final. Grading:
Students with Disabilities: Please come see me if you have any questions about grading, the syllabus or the class. I look forward to having the chance to meet you. Best wishes for a good semester! GRADE CRITERIA FOR ESSAYS A Specific, complex and/or striking thesis, thesis developed without digression through the course of the paper, consistently precise, sensitive and/or striking interpretations of the text, crafted prose, no major mechanical problems B Specific thesis, thesis generally developed through the course of the paper, consistently good interpretation of text, competent prose, minor mechanical problems C Has a thesis, but one that needs greater specificity or complexity, thesis developed with some digression or repetition, some good interpretation, some mechanical problems D Very general thesis, thesis development digressive or repetitive, plot summary or thoughts/speculations not based on textual evidence, major mechanical problems F No thesis or thesis development |